In this report, the global Studio Microphone market is valued at USD XX million in 2019 and is expected to reach USD XX million by the end of 2025, growing at a CAGR of XX% between 2019 and 2025.
Studio microphones are used to record acoustic guitars and vocals. Microphone manufacturers have continually improved upon the technology behind microphones to produce the most accurate reproduction of sound possible. Their flat frequency response makes them perfect for recording live drums and vocals. There are several different models of studio microphones available on the global studio microphone market today from highly respected companies such Sony Corporation, AKG, Pyle, Audio-Technica, BEHRINGER, Blue Microphones, Rode, Samson, Sennheiser, CAD Audio, MXL, Neumann, TELEFUNKEN, and Shure.
Condenser Microphones: These are the cheapest and oldest model of studio microphone available and they still hold a prominent place in the market. Condensers convert electronic signals into low voltages. There are many different types of digital condensers available and one of the most common are the bipolar condenser microphone. Many of these bipolar condenser microphones are still in production today because of their cheap price tag.
Market Dynamics
Launch of new products is expected to propel growth of the global studio microphone market over the forecast period. For instance, in 2018, Razer launched the Seiren Elite microphone, a latest addition to their gaming broadcasting range.
Increasing number of online content creators is expected to offer lucrative growth opportunities for players in the global studio microphone market. As of 2020, there are more than 37 million YouTube channels and the number seems to be growing every year. Moreover, launch of entry-level microphones is also expected to aid in growth of the market. For instance, in August 2021, Audio-Technica launched AT2040, an entry-level microphone.
Major players operating in the global studio microphone market are focused on launching new products to expand their product portfolio. For instance, in August 2021, Austrian Audio launched two new microphones— OC707, a rugged vocal microphone, and OD505, an Active Dynamic microphone. Similarly, in June 2020, Harman launched the two new AKG professional studio headphones -- K361-BT and K371-BT.
Key Takeaways
- Launch of new products is expected to propel growth of the global studio microphone market over the forecast period. For instance, in May 2021, AudioTrove, an Australian music store, launched the AKG Pro Audio C414 studio microphone.
- Major players operating in the global studio microphone market are focused on launching new products to expand their product portfolio. For instance, in August 2021, ROCCAT launched Torch Microphone, USB microphone designed to deliver studio-grade performance for gamers and streamers.
Geographically, this report is segmented into several key Regions, with production, consumption, revenue (million USD), market share and growth rate of Studio Microphone in these regions, from 2014 to 2025 (forecast), covering
United States
EU
China
Japan
South Korea
Taiwan
Global Studio Microphone market competition by top manufacturers, with production, price, revenue (value) and market share for each manufacturer; the top players including
Sony
AKG
Pyle
Audio-Technica
BEHRINGER
Blue Microphones
Rode
Samson
Sennheiser
CAD Audio
MXL
Neumann
TELEFUNKEN
Shure
On the basis of product, this report displays the production, revenue, price, market share and growth rate of each type, primarily split into
Headworn
Lavalier
Wireless
On the basis on the end users/applications, this report focuses on the status and outlook for major applications/end users, consumption (sales), market share and growth rate of Studio Microphone for each application, including
Professional
Amateur
If you have any special requirements, please let us know and we will offer you the report as you want.
Table of Contents
Global Studio Microphone Market Research Report 2019
1 Studio Microphone Market Overview
1.1 Product Overview and Scope of Studio Microphone
1.2 Studio Microphone Segment by Type (Product Category)
1.2.1 Global Studio Microphone Production and CAGR (%) Comparison by Type (Product Category)(2014-2024)
1.2.2 Global Studio Microphone Production Market Share by Type (Product Category) in 2018
1.2.3 Headworn
1.2.4 Lavalier
1.2.5 Wireless
1.3 Global Studio Microphone Segment by Application
1.3.1 Studio Microphone Consumption (Sales) Comparison by Application (2014-2024)
1.3.2 Professional
1.3.3 Amateur
1.4 Global Studio Microphone Market by Region (2014-2024)
1.4.1 Global Studio Microphone Market Size (Value) and CAGR (%) Comparison by Region (2014-2024)
1.4.2 United States Status and Prospect (2014-2024)
1.4.3 EU Status and Prospect (2014-2024)
1.4.4 China Status and Prospect (2014-2024)
1.4.5 Japan Status and Prospect (2014-2024)
1.4.6 South Korea Status and Prospect (2014-2024)
1.4.7 Taiwan Status and Prospect (2014-2024)
1.5 Global Market Size (Value) of Studio Microphone (2014-2024)
1.5.1 Global Studio Microphone Revenue Status and Outlook (2014-2024)
1.5.2 Global Studio Microphone Capacity, Production Status and Outlook (2014-2024)
2 Global Studio Microphone Market Competition by Manufacturers
2.1 Global Studio Microphone Capacity, Production and Share by Manufacturers (2014-2019)
2.1.1 Global Studio Microphone Capacity and Share by Manufacturers (2014-2019)
2.1.2 Global Studio Microphone Production and Share by Manufacturers (2014-2019)
2.2 Global Studio Microphone Revenue and Share by Manufacturers (2014-2019)
2.3 Global Studio Microphone Average Price by Manufacturers (2014-2019)
2.4 Manufacturers Studio Microphone Manufacturing Base Distribution, Sales Area and Product Type
2.5 Studio Microphone Market Competitive Situation and Trends
2.5.1 Studio Microphone Market Concentration Rate
2.5.2 Studio Microphone Market Share of Top 3 and Top 5 Manufacturers
2.5.3 Mergers & Acquisitions, Expansion
3 Global Studio Microphone Capacity, Production, Revenue (Value) by Region (2014-2019)
3.1 Global Studio Microphone Capacity and Market Share by Region (2014-2019)
3.2 Global Studio Microphone Production and Market Share by Region (2014-2019)
3.3 Global Studio Microphone Revenue (Value) and Market Share by Region (2014-2019)
3.4 Global Studio Microphone Capacity, Production, Revenue, Price and Gross Margin (2014-2019)
3.5 United States Studio Microphone Capacity, Production, Revenue, Price and Gross Margin (2014-2019)
3.6 EU Studio Microphone Capacity, Production, Revenue, Price and Gross Margin (2014-2019)
3.7 China Studio Microphone Capacity, Production, Revenue, Price and Gross Margin (2014-2019)
3.8 Japan Studio Microphone Capacity, Production, Revenue, Price and Gross Margin (2014-2019)
3.9 South Korea Studio Microphone Capacity, Production, Revenue, Price and Gross Margin (2014-2019)
3.10 Taiwan Studio Microphone Capacity, Production, Revenue, Price and Gross Margin (2014-2019)
4 Global Studio Microphone Supply (Production), Consumption, Export, Import by Region (2014-2019)
4.1 Global Studio Microphone Consumption by Region (2014-2019)
4.2 United States Studio Microphone Production, Consumption, Export, Import (2014-2019)
4.3 EU Studio Microphone Production, Consumption, Export, Import (2014-2019)
4.4 China Studio Microphone Production, Consumption, Export, Import (2014-2019)
4.5 Japan Studio Microphone Production, Consumption, Export, Import (2014-2019)
4.6 South Korea Studio Microphone Production, Consumption, Export, Import (2014-2019)
4.7 Taiwan Studio Microphone Production, Consumption, Export, Import (2014-2019)
5 Global Studio Microphone Production, Revenue (Value), Price Trend by Type
5.1 Global Studio Microphone Production and Market Share by Type (2014-2019)
5.2 Global Studio Microphone Revenue and Market Share by Type (2014-2019)
5.3 Global Studio Microphone Price by Type (2014-2019)
5.4 Global Studio Microphone Production Growth by Type (2014-2019)
6 Global Studio Microphone Market Analysis by Application
6.1 Global Studio Microphone Consumption and Market Share by Application (2014-2019)
6.2 Global Studio Microphone Consumption Growth Rate by Application (2014-2019)
6.3 Market Drivers and Opportunities
6.3.1 Potential Applications
6.3.2 Emerging Markets/Countries
7 Global Studio Microphone Manufacturers Profiles/Analysis
7.1 Sony
7.1.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors
7.1.2 Studio Microphone Product Category, Application and Specification
7.1.2.1 Product A
7.1.2.2 Product B
7.1.3 Sony Studio Microphone Capacity, Production, Revenue, Price and Gross Margin (2014-2019)
7.1.4 Main Business/Business Overview
7.2 AKG
7.2.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors
7.2.2 Studio Microphone Product Category, Application and Specification
7.2.2.1 Product A
7.2.2.2 Product B
7.2.3 AKG Studio Microphone Capacity, Production, Revenue, Price and Gross Margin (2014-2019)
7.2.4 Main Business/Business Overview
7.3 Pyle
7.3.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors
7.3.2 Studio Microphone Product Category, Application and Specification
7.3.2.1 Product A
7.3.2.2 Product B
7.3.3 Pyle Studio Microphone Capacity, Production, Revenue, Price and Gross Margin (2014-2019)
7.3.4 Main Business/Business Overview
7.4 Audio-Technica
7.4.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors
7.4.2 Studio Microphone Product Category, Application and Specification
7.4.2.1 Product A
7.4.2.2 Product B
7.4.3 Audio-Technica Studio Microphone Capacity, Production, Revenue, Price and Gross Margin (2014-2019)
7.4.4 Main Business/Business Overview
7.5 BEHRINGER
7.5.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors
7.5.2 Studio Microphone Product Category, Application and Specification
7.5.2.1 Product A
7.5.2.2 Product B
7.5.3 BEHRINGER Studio Microphone Capacity, Production, Revenue, Price and Gross Margin (2014-2019)
7.5.4 Main Business/Business Overview
7.6 Blue Microphones
7.6.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors
7.6.2 Studio Microphone Product Category, Application and Specification
7.6.2.1 Product A
7.6.2.2 Product B
7.6.3 Blue Microphones Studio Microphone Capacity, Production, Revenue, Price and Gross Margin (2014-2019)
7.6.4 Main Business/Business Overview
7.7 Rode
7.7.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors
7.7.2 Studio Microphone Product Category, Application and Specification
7.7.2.1 Product A
7.7.2.2 Product B
7.7.3 Rode Studio Microphone Capacity, Production, Revenue, Price and Gross Margin (2014-2019)
7.7.4 Main Business/Business Overview
7.8 Samson
7.8.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors
7.8.2 Studio Microphone Product Category, Application and Specification
7.8.2.1 Product A
7.8.2.2 Product B
7.8.3 Samson Studio Microphone Capacity, Production, Revenue, Price and Gross Margin (2014-2019)
7.8.4 Main Business/Business Overview
7.9 Sennheiser
7.9.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors
7.9.2 Studio Microphone Product Category, Application and Specification
7.9.2.1 Product A
7.9.2.2 Product B
7.9.3 Sennheiser Studio Microphone Capacity, Production, Revenue, Price and Gross Margin (2014-2019)
7.9.4 Main Business/Business Overview
7.10 CAD Audio
7.10.1 Company Basic Information, Manufacturing Base, Sales Area and Its Competitors
7.10.2 Studio Microphone Product Category, Application and Specification
7.10.2.1 Product A
7.10.2.2 Product B
7.10.3 CAD Audio Studio Microphone Capacity, Production, Revenue, Price and Gross Margin (2014-2019)
7.10.4 Main Business/Business Overview
7.11 MXL
7.12 Neumann
7.13 TELEFUNKEN
7.14 Shure
8 Studio Microphone Manufacturing Cost Analysis
8.1 Studio Microphone Key Raw Materials Analysis
8.1.1 Key Raw Materials
8.1.2 Price Trend of Key Raw Materials
8.1.3 Key Suppliers of Raw Materials
8.1.4 Market Concentration Rate of Raw Materials
8.2 Proportion of Manufacturing Cost Structure
8.2.1 Raw Materials
8.2.2 Labor Cost
8.2.3 Manufacturing Expenses
8.3 Manufacturing Process Analysis of Studio Microphone
9 Industrial Chain, Sourcing Strategy and Downstream Buyers
9.1 Studio Microphone Industrial Chain Analysis
9.2 Upstream Raw Materials Sourcing
9.3 Raw Materials Sources of Studio Microphone Major Manufacturers in 2015
9.4 Downstream Buyers
10 Marketing Strategy Analysis, Distributors/Traders
10.1 Marketing Channel
10.1.1 Direct Marketing
10.1.2 Indirect Marketing
10.1.3 Marketing Channel Development Trend
10.2 Market Positioning
10.2.1 Pricing Strategy
10.2.2 Brand Strategy
10.2.3 Target Client
10.3 Distributors/Traders List
11 Market Effect Factors Analysis
11.1 Technology Progress/Risk
11.1.1 Substitutes Threat
11.1.2 Technology Progress in Related Industry
11.2 Consumer Needs/Customer Preference Change
11.3 Economic/Political Environmental Change
12 Global Studio Microphone Market Forecast (2019-2024)
12.1 Global Studio Microphone Capacity, Production, Revenue Forecast (2019-2024)
12.1.1 Global Studio Microphone Capacity, Production and Growth Rate Forecast (2019-2024)
12.1.2 Global Studio Microphone Revenue and Growth Rate Forecast (2019-2024)
12.1.3 Global Studio Microphone Price and Trend Forecast (2019-2024)
12.2 Global Studio Microphone Production, Consumption , Import and Export Forecast by Region (2019-2024)
12.2.1 United States Studio Microphone Production, Revenue, Consumption, Export and Import Forecast (2019-2024)
12.2.2 EU Studio Microphone Production, Revenue, Consumption, Export and Import Forecast (2019-2024)
12.2.3 China Studio Microphone Production, Revenue, Consumption, Export and Import Forecast (2019-2024)
12.2.4 Japan Studio Microphone Production, Revenue, Consumption, Export and Import Forecast (2019-2024)
12.2.5 South Korea Studio Microphone Production, Revenue, Consumption, Export and Import Forecast (2019-2024)
12.2.6 Taiwan Studio Microphone Production, Revenue, Consumption, Export and Import Forecast (2019-2024)
12.3 Global Studio Microphone Production, Revenue and Price Forecast by Type (2019-2024)
12.4 Global Studio Microphone Consumption Forecast by Application (2019-2024)
13 Research Findings and Conclusion
14 Appendix
14.1 Methodology/Research Approach
14.1.1 Research Programs/Design
14.1.2 Market Size Estimation
14.1.3 Market Breakdown and Data Triangulation
14.2 Data Source
14.2.1 Secondary Sources
14.2.2 Primary Sources
14.3 Disclaimer
Request Discount 
Inquire Before Buy
